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Harrogate, North Yorkshire, United Kingdom
Gary Dolman was born on Tyneside in the early 1960s but grew up in Harrogate in Yorkshire where he now lives with his wife, three children and three dogs. His writing reflects his fascination by the darkest places of the human mind.

The Eighth Circle of Hell.

In the mid-Nineteenth Century, when the British Empire was approaching its very zenith, the Victorians began to believe that with their power and fabulous wealth they could do almost anything. Victorian gentlemen in particular realised that they could indeed do anything...and get away with it.

A young, orphaned girl falls prey to a group of powerful, predatory men.  Decades later, advancing dementia pushes her inexorably back into the hell she spent a lifetime trying to forget. (Historical Crime Fiction.)

Thames River Press - The Eighth Circle of Hell

Excerpt from The Eighth Circle of Hell:

Chapter 1:

“In my experience, little girls who beg for mercy seldom deserve it.”
Elizabeth sees his mouth moving, sees it framing the words – those words. She hears them inside her head, filling it, creeping through her body; through her arms, her legs, turning them to ice.
His hands lift and reach out towards her, overpowering, unstoppable. She wants to beg him for mercy, to beg him not to do it, but the undeserved words gag in her throat. She tries to turn, tries to push him away but her leaden limbs refuse to heed the shrieking, shrieking screams of her brain. Then two more people are there, with their smiling, laughing faces – a man and a woman. They catch her arms and hold her fast as he smiles the very smile of the Fiend, and reaches down for her.

“Elizabeth Wilson has lived in workhouses since she was a girl of fifteen, Mr and Mrs Fox.”
The Master of the Knaresborough Union Workhouse smiled benignly as he pushed open the door to his private office.
“Which amounts to forty-five years in total, barring a few months she had as a pauper apprentice. She had, let me see, thirteen years at the Starbeck Workhouse before it closed and then the rest here, at the Knaresborough Union. But in all that time, I believe you are the first visitors she’s ever had. Well perhaps not; I’m told there was one other but that was many years ago and it all came to naught.
Please, take a seat. I’ve asked that one of the better pauper girls brings us some tea and then I’ll have Elizabeth fetched from the infirmary.”
The warm, lilting Geordie accent tempered his otherwise austere appearance.
The Master’s office was very much like the man himself; large and ascetic but softened here and there by a few more comfortable furnishings. One of these was a pair of plump, buttoned leather settees and Atticus and Lucie Fox sank obediently onto the nearest of them while the Master settled into its mirror twin, separated from them by a low and highly polished coffee table.
He regarded them inquisitively for a moment, like an angel at the Gates of Paradise, and smiled once again.
“Are you relatives of Elizabeth, do you mind me asking?”
Atticus shook his head.
“I don’t mind at all, Mr Liddle and no, we aren’t relatives; Mrs Fox and I are privately-commissioned investigators. We’ve been asked to trace the whereabouts of Miss Wilson on behalf of our principal who is a close relative of hers.”
“I see. May I perhaps know the identity of your principal?”
“Certainly, he’s Dr Michael Roberts of Harrogate. Miss Wilson was taken in as a child by her uncle, Alfred Roberts, who is Dr Roberts’ grandfather.”
“Alfred Roberts the great philanthropist?”
Atticus nodded: “The very same.”
“Another of his great acts of kindness, no doubt,” said Liddle.
He sighed reflectively.
“There’s many a poor orphan or pauper child that Alfred Roberts sent on to a better life abroad or found a situation for in the houses of the gentry. I believe I read somewhere that he even had his own house built larger to take many of them in himself, until he could move them on.”
“That is true; it was a large annexe he added to the rear of his house. He took Miss Wilson in shortly after he had it built. That was many years ago when the second of her own parents, her mother, passed away. Alfred Roberts was her mother’s elder brother and her only living relative. Dr Roberts told us that she ran away around two years after his grandfather first took her in and, as we now know, eventually came to be here, in the union workhouse.”
Liddle nodded genially.
“I’ve heard a great deal of Dr Roberts. He’s recently become a firm acquaintance of Mr Manders, our Medical Officer here, and as I understand it, he’s a psychiatric doctor of no little renown.”
The leather of the settee creaked under him as he leaned forward, conspiratorially.
“We have, as you might imagine, quite a number of lunatics and imbeciles here. Dr Roberts freely gives us any help and advice he can. He’s a philanthropist in the family tradition; there is no doubt of it.
What you tell me is fascinating though. I knew that Elizabeth had come to be in the workhouse under rather… mysterious circumstances shall we say, but until now I knew very few of the details. She’s obviously well educated and gentle-born, but Lizzie – Elizabeth, that is – never speaks of her life before she went to Starbeck. In fact, by all accounts, she rarely spoke at all for quite a number of years. Sister Lovell, the workhouse nurse, has known her the longest; in fact, it was she who finally got her to speak again.”
He was interrupted by a timid knock on the door. It opened and a tall, gangly girl appeared, blushing heavily and carrying a handsome, silver tea tray as if it might suddenly turn on her at any moment and bite.
“Curtsey, Sally,” the Master reminded her sharply.
“I’m sorry, Mr Liddle.”
The girl paused to curtsy clumsily and then slowly, with infinite care, set the tray down on the coffee table.
Liddle watched each of her movements intently, almost hungrily, as a cat watches a bird.
Then he said: “Thank you, Sally. Is M... is Sister Lovell fetching Lizzie?”
“Begging your pardon, sir but Lizzie needed to be changed before she could be fetched. She’s gone and wet herself again; made a right mess on the floor and no mistake.”
“Is she resisting the nurses?”
“Yes, sir, it took three of them to change her: Matthew and Tom and Edith. Edith said that Lizzie would rather stink and be sore all day than be washed and have fresh clothes.”
Liddle sighed and nodded wearily.
“Ah well, she keeps the women in the laundry house well employed I suppose. Please pass my compliments to Sister Lovell, Sally and ask that she be brisk.”
The girl hesitated.
“Please, Mr Liddle, Miss Lovell asked me to say that she needs me to help her with her rounds tonight and that she’s arranged for Edith to bring you your bedpan and polish your tables. She said that you would understand.”
The girl curtsied again and after a quick, nervous glance at Atticus and Lucie, she hurried, almost ran from the room.
Liddle frowned.
“I do declare that the last thing I need to see before I retire to bed is that old crone Edith in my bedroom. I shall be having nightmares tonight and that’s a fact. If the Master of a workhouse can’t choose a pretty pauper girl to bring him his night time bed warmer, what can he do?”

They had finished with her at last. Please let it be over now, please, Lord Jesus. She felt dirty, sullied and used, just as she always felt after he had finished and dressed her again. She was a wicked, sinful girl and she had deserved it – needed it even. She deserved everything he did to her, just as she had deserved for her mama to go away. Her mama was in Heaven with Jesus and his angels. How could she have stayed to love a sinful child such as her? Why would her mama have been bothered with such a wicked, wicked creature as she?
She would shut it away. She would hide this memory along with all the others, festering away in that farthest, most remote part of her mind she kept especially for them.
Except that they wouldn’t lie still. Not these days. They wouldn’t stay there, far away, where they couldn’t hurt her. Every time she sensed that bitter, oily taste on her tongue, every time she saw eyes leering at her, hungering for her, every time she felt hands pulling at her clothes, the memories tried to come, tried to hurt her. She could hold them off by day, with busy and with the knife. But at night, when she could no longer be busy, they would come. They would spill into her dreams and turn them into nightmares. And it seemed that these days, there was no day and no night; that she had no knife and that her busy had gone.
She tasted once more the bitterness on her tongue and smelled it again in her nostrils. It was her medicine – her medicine for wicked girls. It helped. He always said that her mama would be pleased with her for taking it so well, with so little fuss. It helped her to be more... compliant to her punishments. Somehow, it seemed to make the punishments less real, almost as if they were happening to another little girl whose mama had gone away. And it helped her to hide away the memories when they had finished.

“Aha, Miss Lovell, I would like to introduce Mr and Mrs Atticus Fox to you. They are privately-commissioned investigators no less, who have been engaged by the grandson of Elizabeth’s old guardian to trace her whereabouts. Have you fetched her?”
The shadow of what might have been panic flitted across the old, grim face of the nurse as rather stiffly, she wished them a good day, before turning again to the Master.
“I have, Mr Liddle; Lizzie is waiting outside in your vestibule. I’ve taken the liberty of giving her a small dose of chloral hydrate to settle her down a degree.”
The Master nodded sagely.
“That was very sensible, Mary. That chloral hydrate of yours is a godsend and we don’t want to distress her any more than we need. Now, please, sit down and pour the tea; Elizabeth may have some with us too, as a special treat for her. Mr and Mrs Fox have some questions they would like to put to you about her whilst I fetch her in from the vestibule.”

He had come for her.
Oh, Mama, please come for me first. Please take me with you to be with Jesus, to be an angel like you. Don’t let him take me. I don’t mean to be wicked, I really don’t. Please believe me. Please ask Jesus not to let him take me away to his gentleman friends.

A single memory: A ring of laughing, jeering faces, with strangely disembodied voices, and of hands touching her, feeling her, escaped from its secret place and seared across her mind. There again was the bitter, oily taste in her mouth and there again, the hurt, deep down in her belly.
Chapter 2:
Seeing Elizabeth Wilson as she was shepherded gently into the Master’s office was something of a shock for Atticus and Lucie Fox. They had been told by Dr Roberts, their principal, that by now she would be in her sixtieth year. But as Lucie remarked afterward, she looked at least twenty years older than that. She moved slowly and painfully, almost like an automaton, under her shapeless blue and grey workhouse dress, her skeletal hands clutched tightly before her as if in perpetual supplication. But the most striking, and by far the most distressing, thing about Elizabeth was her eyes. Clear blue and intense, they blazed out from her gaunt, lined face, hidden deep within the shadows of her shabby poke bonnet. As she stood cowering in the room, she seemed to stare right through them as if they were nothing more than unseen spectres between her and some far-distant horizon.
“There is no need to stand for a pauper woman, Mr Fox.” Liddle chuckled good-naturedly at Atticus’ faux-pas.
“On the contrary,” Atticus replied, indignation stiffening his tone.
“‘Who sees with equal eye, as God of all, A hero perish, or a sparrow fall.’ Those are not my words, Mr Liddle; they are Alexander Pope’s in, ‘Essay on Man.’”
A charged silence stretched out between them.
“I’m no god, of course,” Atticus continued, “But I strive hard to see with that same equal eye and I believe that manners and courtesy should too. Miss Wilson was born into a respectable family but even if she had not been, even if she was a sparrow and not a hero, she is still a woman, a woman of age, and I will still stand for her.”
Without waiting for the Master’s response he turned to Elizabeth.
“Good Afternoon, Miss Wilson, my name is Atticus Fox and this is my wife Mrs Fox. We are both delighted to make your acquaintance.” His polite bow was followed by a heartbeat of silence as Lizzie’s distant gaze slowly focussed onto him. It was transformed instantly into wretched terror. She began to cower and tremble like some tiny, whipped animal and her reply was husky and no more than a whisper.
 “Please be merciful, sir,” and then after a moment, “Jesus.”
“There’s no call for blasphemy, Wilson,” Liddle rebuked her sharply.
 “You’re safe, Lizzie; you’re quite safe. You’re with me; you’re with Mary.”
The nurse stood and took Elizabeth’s arm from the Master. Cradling the tightly-clasped hands in her own, she murmured reassuringly until gradually, Elizabeth’s gaze slackened and dropped back once more into the infinity.
“Miss Wilson seems terrified of us, Sister Lovell,” Lucie whispered, “Or at least of my husband. That’s in spite of your sedative… chloral hydrate, did you say it was?”
“Yes, ma’am.”
Mary Lovell pursed her lips and gently steered Elizabeth to a high-backed chair that stood next to Mr Liddle’s large, mahogany bureau. She folded her into it and said:
“Lizzie has a very nervous disposition. She’s timid, extremely timid, whenever she is around gentlemen.”
“So I see.”
Lucie watched curiously as Elizabeth began to rock gently to-and-fro, quietly singing a lullaby to herself under her breath. Her hands, trembling slightly and still balled tightly together, slid along the polished desktop until they came to rest next to a small pile of unopened letters which were pressed down by a handsome, silver paper-knife.
“What is her condition? I am a nurse myself, although retired now from the profession.”
The taut lines on Sister Lovell’s face seemed to soften a little at that. She crossed the room to perch on the edge of the settee next to the Master.
“Well, Mrs Fox, Lizzie suffers from profound nervous anxiety as you can see. Also, since shortly after her mama died, which happened when she was just thirteen years of age, she has had long and very deep periods of melancholy. They’ve increased over the years and especially so over the eighteen-eighties. Now that she is old and senile, she seems depressive almost all of the time.”
Her eyes were suddenly shining in the light streaming in through the sashes of the windows.
“And how was she between her melancholic episodes?”
Lucie’s voice was keen with professional interest.
“She was employed in the workhouse bakery.”
“And excellent at it she was too,” added the Master, “She did the work of two ordinary paupers and did it thoroughly. I think it was because of her time at the Starbeck Workhouse. Most of the old, parish workhouses used to believe they were there just to provide relief from destitution, but at Starbeck they were very progressive; they laid great store in discouraging idleness by insisting on austerity and good, honest, hard work.
But Lizzie was never idle. Behind that shell she casts around herself, she is – or rather she was – a very diligent, industrious woman. She’s just an imbecile now of course.”
“Manic-depressive psychosis, do you suppose it was?” Lucie asked, ignoring Liddle’s final remark.
“The Medical Officer here thinks it might have been, but to speak plainly, I’ve made it my business to ask a proper psychiatrist about her and we don’t think so. There is no history of it in her family and she has never – well, hardly ever – shown any degree of recklessness. It was always quite the opposite actually; she was very controlled in everything she did.”
 “Manic-depressive psychosis is a profound disorder of the mind,” Lucie explained in response to her husband’s quizzical look. “It causes the sufferer to be alternately depressed and manically euphoric, often, as Sister says, quite recklessly so. It appears to run in families.”
“But we don’t know her family history, do we, Sister Lovell?” Liddle interjected. “She never speaks of it; she never has.”
“But don’t forget that I knew her family, Mr Liddle, and I knew it well. Before I found the situation at the workhouse at Starbeck, I was employed for a while as Lizzie’s governess. Her mama, Beatrice Wilson, was the dearest, kindest lady you could possibly imagine. After she died, I was kept on by Lizzie’s uncle, Alfred Roberts, who had become her guardian, if you could call him that; he was no true guardian of hers.”
“But how could that be, Sister Lovell?” Atticus asked, puzzled. “Alfred Roberts was well known as a benefactor and friend to orphans and homeless children. Surely he didn’t neglect his own flesh and blood?”
The nurse glanced down, pressing her thin lips tightly together so that they almost seemed to disappear as she aligned the edge of the tea tray precisely with that of the table.
“No, Mr Fox, he didn’t neglect her; he didn’t neglect her at all. It was quite the opposite actually. Let me just say that I am very glad indeed that Alfred Roberts is now a feeble, frail old man.”
“That is a very harsh opinion to have of an old gentleman and a philanthropist,” Atticus exclaimed.
“He might well be old,” the nurse replied coldly, “But he was no gentleman and never, ever a philanthropist.”
“Do you know his grandson, Dr Michael Roberts?” Lucie asked, quickly moving the conversation on.
Sister Lovell hesitated for a moment.
“I resigned from the Roberts’ employ many years before Dr Michael was born. His father John Roberts was only a boy of twelve when I left.”
“And you were Miss Elizabeth’s governess you say?”
“For most of my time there, yes I was. Lizzie was three years – just three years, mark you – older than John when she fled to the workhouse. I left very soon after her.”
“Was she old enough to understand the principle that governs the workhouses, Sister Lovell?” Atticus asked. “I believe they call it the, ‘Principle of Less Eligibility.’ Conditions inside the workhouse should be much less comfortable than those outside, so that only the truly desperate would seek relief there.”
“Elizabeth Wilson was truly desperate, Mr Fox.”
Several seconds ticked by as they waited for someone to ask the inevitable question, and inevitably it was Atticus who asked it.
“What could possibly have made her so desperate that she would leave somewhere like Sessrum House to seek relief in a poor-law workhouse?”
Sister Lovell looked down and minutely shifted the tea tray once more.
“Lizzie despised the... punishments that Mr Roberts liked to mete out to the children in his so-called care.”
“I see. Well Dr Michael is the head of the house now and he would very much like for her to go back and to live there once again. He views the fact that she fled Sessrum House for a workhouse as nothing less than a stain on his family’s honour – an injustice in his words – that he very much wishes to repair. That’s why he commissioned us to find her. He believes that Miss Elizabeth deserves to live out the rest of her days in comfort and in grace.”
Sister Lovell threw a suddenly anxious look to the Master.
“I suppose it might be for the best, Mr Liddle, but she is so innocent, so very delicate.”
“That is all the more reason for her to leave the rigours of the workhouse then. Come now, Mary, surely you haven’t grown so attached to Elizabeth that you don’t wish her to live out her remaining days in style? I realise that with her mind as it is, she won’t fully appreciate the change in her circumstances, but surely living at Dr Roberts’ mansion would still be infinitely preferable to her spending the rest of her life in a workhouse infirmary? It would almost be like paradise on Earth for her there. Anyway, I have made up my mind. She’s an imbecile; she cannot work any longer and with this arrangement she’ll no longer be a burden on the parochial finances. Heaven knows, they’re stretched enough as it is. No, Mary, Lizzie shall leave for Harrogate today.”
The nurse seemed to vacillate still.
“She would be living with Mr Alfred’s grandson?” she demanded.
“And he will take good care of her? Will you promise me that?”
“I’m certain Dr Michael will take care of her wonderfully, Sister Lovell,” Lucie purred, her voice reassurance itself. “Alfred Roberts still lives at Sessrum to be sure, but in an annexe, quite separate to the main house.”
The old nurse shivered.
“Mr Liddle, may I accompany Lizzie to her new home? I feel I ought to help her to settle in there and get her used to her new surroundings.”
Liddle looked enquiringly at the Foxes.
“I have no objection whatsoever Mr Liddle, and neither would Dr Roberts I’m sure,” Atticus confirmed. “In fact, he himself suggested that it would be a first-rate idea if someone were to come up with her to do exactly that.”
The Master grunted his assent. “Then the matter is settled and the parochial union can be grateful they’ve one less pauper to pay for in their infirmary.”
Chapter 3:
            “Are you sure we aren’t to bring any more clothes from the workhouse for her, Mrs Fox?” Mary Lovell asked yet again as they walked down the steep, cobbled hill towards the Knaresborough Railway Station.
“She lost control of her, shall we say… bodily functions, months ago, and she generally needs to be changed several times a day. Strictly speaking, a pauper is supposed to leave the workhouse in the same clothes they came to it in. You have those in your parcel there. They were fine in their day, but that was nearly fifty years ago and the moths have been busy at them since.”
“Mr Liddle will be in good humour,” she added bitterly.
“He’ll have his pick of the girls to fetch him his bedpan while I’m not there. I’m sure that he could be persuaded to let us fetch another shift or two for her.”
They formed an incongruous group: the tall, redheaded gentleman in a top hat and frockcoat carrying a thick, pewter-topped walking cane, and the frail, cowering pauper woman in her threadbare dress and poke bonnet, supported on one side by an elderly nurse and on the other by a pretty young woman carrying a brown paper parcel neatly bound with string.
            “That really won’t be necessary, Sister Lovell. Dr Roberts has engaged a seamstress to make her up a whole new wardrobe of clothes,” Lucie replied patiently, “With fashionable, bright colours and lace.”
            Mary Lovell beamed as she leaned in close to her charge.
“Do you hear what Mrs Fox says, Lizzie? She says you are to have a set of new clothes, all for yourself, and all fancy with pretty colours and lace. You will look beautiful again.”
            Elizabeth kept her eyes fixed warily on the back of Atticus’ frockcoat.
“No, Rachel, no, Rachel, you are,” she exclaimed, suddenly and harshly.
Several people turned to stare at them.
“I’m Mary, Lizzie, not Rachel. Rachel died years ago. She was only ever old when you knew her and she was never beautiful. I’m Mary, Lizzie. Do you remember me? I’m the one who’s making sure no one hurts you, that no one hurts you ever again.”
“Where’s my mama?” Elizabeth asked.
“Your mama is dead too. She’s with Jesus and his angels and your papa. You’ll be with them again one day soon, I promise.”
“You mentioned in Mr Liddle’s office that Elizabeth has senile dementia, Sister Lovell,” Lucie said. “She’s just called for her mother, even though her mother died nearly half a century ago. The dementia must be quite advanced?”
The nurse patted Elizabeth’s wringing hands. She was singing something that sounded like ‘one-and-eight-and-eight-and-one’ again and again under her breath.
“Yes, I’m rather afraid that it is. As Mr Liddle said, Lizzie had always been a very hard and precise worker who rarely, if ever, made any mistakes. Then around two or three years ago, we noticed she was starting to make lots of silly errors; putting her dress on back-to-front in the morning for example, or missing ingredients from her baking, or getting dressed for church on the wrong day. She began to forget things that had happened only that week, or even just that day, yet she could remember vividly events that happened years and years before. As time went on and her condition deteriorated, she started to believe that she was living further and further back in the past; that she was at Starbeck Workhouse again for example, or even as she often seems to now, that she is back with Alfred Roberts. That might be why her anxiety attacks have grown so much worse recently. But you know the worst part, Mrs Fox, the very worst part of it all is that it’s almost impossible to talk to her properly these days. I can’t reach her, I can’t reassure her. She can only understand odd words of what I say. I’m afraid that very often it seems as if I’m speaking to a very little girl and not an old woman at all.”
They made their way slowly onto the station platform and into the shade of the verandah, to where the first class carriages would stop. The curious glances and bald stares they had begun to notice on the short walk from the Union Workhouse intensified and hardened into glares of outrage and indignation. As they stopped and Lucie took Atticus’ arm, an elderly gentleman in a silk top hat and cape coat stepped forward and confronted Mary Lovell.
“What are you doing bringing your old crone to this end of the platform, woman?” he demanded. “Trying to beg with her, I’ll be bound. Well, you’ll get nothing from us. You can take her and you can throw her back into the poorhouse where she belongs; we’ve already more than paid for her idleness and her bread and water with our taxes.”
He grabbed Elizabeth’s chin in his leather-gloved hand and jerked it up, glowering into her face.
“And who the devil do you think you’re staring at, you damned, impudent old witch?”
Elizabeth’s gaze drifted into the man’s glare. She started violently and began to whimper softly. And then his hand was gone, as a puce-faced Atticus smashed the man’s arm away with the heavy end of his cane.
“These ladies – both of these ladies – are with us,” he roared. “They both have first class railway tickets and they are both entitled to stand anywhere on this platform they choose. So you – you can mind your own damned business, sir.”
Mary Lovell spoke over the top of the bonnet on Elizabeth’s cowed, shivering head; the cold menace in her voice cutting through the atmosphere more venomously than anything Atticus had said.
“This lady has suffered horrors in her life such as you can only imagine. All of them, mark you, all of them suffered at the hands of supposedly respectable gentlemen like you; with your first class railway tickets and your silk top hats and your fancy clothes. You and your friends can all go to Hell.”
The gentleman stared at her, aghast, his mouth framing words he could not seem to utter. Then, his spirit broke, and he turned and rejoined his companions, massaging his arm and muttering indignations under his breath.
Like a summer evening after a storm, the atmosphere on the platform lightened, and Miss Lovell, breathing heavily, began once more to sooth Elizabeth.
The station master’s shrill whistle turned their heads towards the gaping, black mouth of the railway tunnel at the far end of the platform. Suddenly their train was there, disgorged and puffing slowly along the length of the platform where, in a cloud of steam and clattering of couplings, it hissed to a halt.
Chapter 4:
The shrill whistle shrieked along the length of the train and dissolved into the warmth of the afternoon; dissolved everywhere, that is, except inside her head. There it compounded with the silent screams of her anguish and grew louder and louder and louder.
She concentrated with the whole of her being on the rhythmic clicking of the carriage wheels as they glided over the joints in the tracks. She closed her thoughts to everything except her urgings of the train to go faster, for the clicks to be louder, more staccato, to overwhelm her, to crowd out whatever it was they were taking turns to do to her body. She could feel the echoes of their hands; the rough scratch of their whiskers; the stench of tobacco on their breath.
 ‘Please, Lord Jesus, please make the train get to where it is going; please make it stop so that they will stop, and I can begin, again, to hide away the memories.’
But she had a knife now, in her sleeve. She couldn’t remember how or from where she had got it but it was there. ‘Oh, thank you, Jesus; thank you, Mama.’ She would be safe now. She wouldn’t have to bear those unbearable thoughts again and again and again. With a practiced hand, she laid the stiletto point of the blade against the softness of her skin and pressed. Delicious pain swelled through her consciousness, filling it and blocking out everything else. She deserved the pain, she knew. She was a wicked, wicked girl, but oh, how it eased the torture of her mind; how it chased away those thoughts and those awful, awful memories.

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  1. Greetings Gary,

    As requested, I'm responding to the excerpts from your novel, "The Eighth Circle of Hell".

    From the excerpts I've read, your articulation captivates and indeed captures the stark, gloomy reality of those times. And indeed, the marked distinction of the undermined and those of wealth, of greed and philanthropy. Somewhat of a barometer of what is happening in Britain these days.

    Elizabeth's journey back through those horrific early days of her life, through her dementia state of mind, makes for intriguing and compulsive reading.

    You have, with fine detail, enhanced the many facets and emotive consequences of the mid-Nineteenth century Victorian era.

    If you so wish, in February, I'm featuring some aspiring and published authors on my blog. I've done such features before on my varied site. Please let me know if this can be of any help to you.

    Superbly crafted work of art. Your book is certainly a most absorbing, fascinating glimpse into those times.

    With respect and goodwill,


  2. Powerful and moving. Congratulations on a unique piece of writing. I am going to have to buy it, even though the subject matter fills me with dread!

  3. Hellish, but intriguing. Definitely deserves a closer look.

  4. Wow! Hideously awesome. Love your title. Your writing makes me realize how very far I need to climb to reach this level. Brilliant!

  5. Thanks for suggesting I check this out. I found it an interesting and absorbing piece of writing. Those who enjoy historical novels with a powerful and disturbing theme will enjoy this immensely. K.J.Rabane

  6. Great post. Great writing. Following your blog. Please feel free to visit mine and join. www.judyanndavis.blogspot.com
    Have a good weekend ahead.

  7. It's been a long time since I've read something as polished as this. Thanks for sending me the link to this post, I'm going to come back and read it again :-)

  8. Great story. enjoyed. following you,feel free to follow me.
    http://patrickoscheen.wordpress.com/ thanks!

  9. People are raving about this story and I came over to read a little about it, and now I truly understand why people are talking about it. The writing is excellent and the descriptions are outstanding. A must to read!
    Pattimari Sheets (Diamond) Cacciolfi

  10. Great post! I need to get this book now. It isn't a matter of want. Your writing is superb.

  11. Powerful writing, definitely not for the faint-hearted.

  12. Thanks for the follow on Twitter from a fellow writer not too far away in Yorkshire. I like the sound of your story about abusive Victorian gentlemen. By coincidence I'm currently ploughing my way through The Moor and the Loch by Victorian aristo John Colquhoun. It describes the carnage inflicted on nature by the hunting shooting fishing set in the nineteenth century. It's a reproduction by Bibliolife. They assumed total dominion over nature as well as the lesser mortals that you write about.
    Best wishes
    Alan Calder

  13. You've captured the horrors and the privilege beautifully. This is both disturbing and mesmerizing, a wicked combination for a reader.

    Congratulations on that achievement. I'm intrigued, which doesn't happen often for me in period fiction. In these short pages you've managed to round out characters through dialogue and a few tag lines to the point where love and hate are firmly established early on and pages move under the eye at a rapid pace.

    Thanks for inviting me to have a taste of the after dinner treat.

  14. Despicable behavior, but customary plight of the defenceless, which still persists. Excellent portrayal of tragic circumstances which immediately sets the scene. Added to my to read list;)

  15. One of the few book excerpts I have been sent to read that had me actually at attention throughout the entire thing to read it all. I am adding it to my "To Read" list because I love historical fiction and bringing to light the fact women for decades have been the subject of abuse both by men and those who would not defense them who knew the truth. You have captured the Lizzie's fear perfectly and showed both sides of the coin of the existing persona of the other characters. Brilliant writing that deserves 5 stars just for the post here!

  16. Great job, John. I am too sensitive a reader to put up with descriptive abuse. My characters must get revenge and redemption in 188 pages. But then I sanction castration between the covers. Which gives me an idea for my next novel. I hope someday I'll write as well as you do. Best, squire.

  17. Wow, this sounds very interesting! I'm going to add this book to my "to read" list. Thanks so much for sharing.
    Steph Post

  18. Thanks for pointing me to this excerpt. Great job I really enjoyed especially as I'm still a Yorkshire lad at heart even after moving away.

    Don't forget to check out the first chapter of my humorous fantasy at http://www.carlhackman.com/2013/05/15/jaguar-new-project/

  19. Thoroughly enjoyed this read. The atmosphere you have captured is compelling and the terror in the little girl is palpable.
    Thanks for pointing me in this direction.

  20. Powerful intense writing, Gary.


  21. Bought it a few moments ago.

  22. Powerful and moving writing, Gary. Truly captures the atmosphere of power structures of the Victorian era. A poor woman with no protector was helpless against men of means. And so many men of means sorely abused them. Sounds like your book will be a riveting read.

  23. I was immersed from the first paragraph. This will have to go onto my reading list.

  24. Best of luck with the People's Book Prize. No reason why this one shouldn't be a winner. Saying that, I had trouble signing in to vote but it's been a bad internet day today. I'll try again.

  25. a dark subject indeed, but horrifyingly true. We tend to think of abuse as a modern affliction but the vulnerable have always been at risk of the powerful. Have put on my Christmas book list - my husband and I do not need what we call ABO's - ornaments! As we are both avid readers in print and E-versions it is the best gift.

  26. I love the writing style - intense and it pulls you in.

  27. We are all voyeurs of life. No matter how harrowing. You have managed to encapsulate the true suffering of an innocent - in your opening lines. Brilliantly penned Gary.


  28. This excerpt is at once interesting and disturbing. Excellent writing, so intense and engaging, I had to keep reading.